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The Drawing Center has 0 book(s) available
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OUT OF STOCK
Drawing Papers: Collection One


A selection of approximately twelve unbound titles from The Drawing Center’s Drawing Papers publication series. Collection One includes The Body of the Line: Eisenstein’s Drawings, Ellsworth Kelly: A Conversation, and Mark Lombardi: Global Networks.

DRAWING
code: dc dp1 L-6

OUT OF STOCK
Drawing Papers: Collection Two


A selection of approximately twelve unbound titles from The Drawing Center’s Drawing Papers publication series. Collection Two includes Richard Tuttle: Manifesto, Homage to Agnes Martin, and Nasreen Mohamedi: Lines Among Lines.

DRAWING
code: dc dp2 L-6

OUT OF STOCK
Drawing Papers: Collection Three


A selection of approximately twelve unbound titles from The Drawing Center’s Drawing Papers publication series. Collection Three includes Gego’s Structural Systems, Eva Hesse: Circles and Grids, and Jon Kessler: You Have 43 Friends.

DRAWING
code: dc dp3 F-5

OUT OF STOCK
Rajasthani Miniatures: The Welch Collection
from the Arthur M. Sackler Museum, Harvard University


Published in conjunction with The Drawing Center’s Rajasthani Miniatures exhibition, this catalogue features over seventy vibrant watercolor miniatures dating from the late-fifteenth to the late-nineteenth centuries. Nearly all of the works were created for Rajputs, members of the India’s princely caste (kshatriya), and produced in the northwestern Indian province of Rajasthan. Collected by Stuart Cary Welch, curator emeritus of Islamic and Later Indian Art at the Harvard University Art Museums, the miniatures represent a selection of the works Welch bequeathed to Harvard. The book includes a foreward by Ann Philbin, and essays by James Cuno and Stuart Cary Welch.

INDIAN ART
1997, 48 pp, 29 illus, Softcover
code: dc raj B-5

OUT OF STOCK
Shadows of a Hand: The Drawings of Victor Hugo


Nearly as prolific in the visual arts as he was in literature, Victor Hugo produced thousands of drawings in his lifetime. His surviving works are surprisingly accomplished and "modern" in their style and execution, foreshadowing the experimental techniques of Surrealism and Abstract Expressionism. Shadows of a Hand was the first museum exhibition in the United States devoted to Hugo’s drawings, featuring works from the collections of the Bibliothèque Nationale de France; Maison de Victor Hugo in Paris; Musée du Louvre; Musée des Beaux-Arts, Dijon; The Art Institute of Chicago; and private collections. The catalogue includes essays by Florian Rodari, Pierre Georgel, Luc Sante, and Marie-Laure Prévost.

DRAWING
1998, 10.5 x 11.5 inches, 160 pp, 102 illus
Softcover, ISBN 1858940508
code: dc hugo

OUT OF STOCK
Willem de Kooning: Drawing Seeing/Seeing Drawing


Influential artist Willem de Kooning (1904-1997) regularly created series of drawings, sometimes continuing them intermittently over a decade. Despite de Kooning’s renown as a painter and draftsman, there have been no publications to look at selected groups of his drawings in depth. This book, and the traveling exhibition organized by The Drawing Center, presents four groups of drawings de Kooning made between 1958 and the late 1970s, affording a closer view of de his working process and his constant reinvention of mark-making.

DRAWING
1998, 9.5 x 11.5 inches, 125 pp, 73 illus.
Softcover, ISBN 0965728080
code: dc dek

OUT OF STOCK
The Stage of Drawing: Gesture and Act


Published in conjunction with the exhibition, The Stage of Drawing: Gesture and Act, Selected from the Tate Collection, which was co-organized by The Drawing Center and Tate Museum, London. A remarkable survey of the formation of the Tate's prestigious and rarely exhibited drawing collection, the book traces developments in drawing over the past three centuries, featuring a wide array of works from the mid-1700s to the 1970s. Among the works on paper selected by artist Avis Newman are drawings by Francis Bacon, Lucio Fontana, Cy Twombly, Blinky Palermo and Andy Warhol. The book also includes a conversation between Avis Newman and Catherine de Zegher, Director of The Drawing Center.

DRAWING
2003, 8.5 x 10 inches, 284 pp, 148 illus
Hardcover, ISBN 1854374885
code: dc sta J-4

OUT OF STOCK
Eva Hesse Drawing


Eva Hesse (1936-1970) was a highly experimental artist who continually challenged the conventions of her time. For Hesse, drawing played a unique role, providing the nexus between her works in all media. Eva Hesse Drawing is the first book to explore her drawing process, following her work from drawing to painting and sculpture, and always back to drawing. The book features important, recently rediscovered “working drawings,” providing an intimate look at Hesse’s everyday practice and methodology.

An accomplished draftswoman, Hesse began to develop her wandering, tentative line while studying at Yale University in the late 1950s. Her early 1960s works on paper engaged with visual vocabularies from geometry to biomorphic abstraction. In 1965, Hesse combined her tactile sensibility for materials with her string-like line to achieve a breakthrough: her astonishing reliefs, which began to bridge the space between two and three dimensions. Balancing the disembodiment of line with its intensified materialization, Hesse went on to develop one of the most innovative oeuvres of the twentieth century, anticipating the hybridization of media and crossing borderlines linking one impossible space to another. Edited by Catherine de Zegher, Director of The Drawing Center.

DRAWING
2006, 8.5x10 inches, 344 pp, 33 b&w and 199 color illus
Hardcover, ISBN 9780300116182
code: dc eva

OUT OF STOCK
Drawing Towards a Distant Shore: Selections from Portugal


This book features six artists who span two generations and represent the diversity of current art production in Portugal: Rui Chafes, Gaëtan, Ana Hatherly, Ana Jotta, Pedro Proenca, and Joana Rosa. The original exhibit, organized by The Drawing Center, was guest curated by Dan Cameron, who contributes an essay to the catalogue.

DRAWING
1994, 45 pp, 20 illustrations
Softcover
code: dc por I-2

OUT OF STOCK
Richard Serra: Weight & Measure Drawings


This catalogue accompanied Richard Serra’s 1994 exhibition at The Drawing Center, which featured a series of Serra’s large-scale paint stick-on-hiromi-paper drawings. Widely recognized for his mastery of monumental sculptural works in steel, Serra endows the typically fragile medium of drawing with an almost geological heft. The catalogue includes twenty-five illustrations, a forward by Ann Philbin and essays by Dave Hickey and Richard Shiff.

DRAWING
1994, 52 pp, 25 illustrations
Softcover
code: dc ser

OUT OF STOCK
The Return of the Cadavre Exquis


This book features over 600 collaborative drawings by contemporary artists from around the world. The culmination of a two-year drawing project, the exhibition was composed of contemporary drawings based on the Surrealist parlor game, Exquisite Corpse, as well as a selection of works by Surrealist practitioners of the game. The exhibition was organized by The Drawing Center and Ingrid Schaffner, who initiated the project with artists Kim Jones and Leonard Titzer. The catalogue provides thirty-seven illustrations, a forward by Ann Philbin, and essays by Charles Simic, Mary Ann Caws, and guest curator Ingrid Schaffner with contributions by Elizabeth Finch.

DRAWING
1994, 84 pp, 37 illustrations
Softcover
code: dc exq I-2

OUT OF STOCK
Odilon Redon: Selections from the Woodner Family Collection


This exhibition and corresponding catalogue feature works by the French artist Odilon Redon, who produced haunting charcoal noir drawings from the mid-1860s through the 1890s. These shadowy drawings provide a view into Redon’s mysterious world of dream landscapes, psychically charged mythological scenes, religious subjects, and apparitional portraits that appear to surface from the depth of the artist’s subconscious. The catalogue includes a foreward by Ann Philbin and an essay by Ted Gott.

DRAWING
1993, 12 pp, four sepia illustrations
Softcover
code: dc odi I-2

OUT OF STOCK
Persistent Vestiges: Drawing from the American-Vietnam War


Published in conjunction with The Drawing Center’s 2006 exhibition, this book commemorates the thirtieth anniversary of the end of the Vietnam conflict and the tenth anniversary of the official reconciliation between Vietnam and the United States. It presents a focused examination of drawings by artists from the two countries dating from both the war era and the present day. Featuring reproductions of works by Nancy Spero, Martha Rosler, Dinh Q. Le, Binh Danh, Nguyen Cong Do, Nguyen Thu, Nguyen Van Da, Quang Tho, Truong Hieu, and Vu Giang Huong, the book also includes an annotated chronology with quotes from several of the artists, and an essay by editor Catherine de Zegher.

DRAWING
2006, 8 x 10.5 inches, 196 pp, 205 color illus
Softcover, ISBN 0-942324-23-4
code: dc per J-4

 

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