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OUT OF STOCK
Christopher Wilmarth
A beautifully illustrated catalogue featuring the sculpture of the late Christopher Wilmarth. From his ethereal early glass-and-cable reliefs to his later tectonic works in glass and steel, Wilmarth consistently sought to evoke in sculpture the qualities of light and shadow characteristic of New York's urban landscape.
SCULPTURE PB, 58 pp., illus. 1989, ISBN 0-87070-644-6
code: moma wil B-1
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OUT OF STOCK
Envisioning Architecture
Revealing the range of aesthetic viewpoints in architecture since the late 19th Century, these drawings trace the development within this field and feature a wide variety of architects of the modern period, from Frank Lloyd Wright and Le Corbusier to contemporary practitioners including Frank Gehry and Rem Koolhaas.
ARCHITECTURE HC, 256 pp., illus. 2002, ISBN 0-87070-011-1
code: moma env
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OUT OF STOCK
Filming Robert Flaherty's Louisiana Story: The Helen van Dongen Diaries
"Louisiana Story," Robert Flaherty's classic 1948 documentary, tells the tale of the disruption that mechanisation—in particular the speculative drilling by an oil company in the environment of the Louisiana bayou. Helen Van Dongen, who worked with Flaherty throughout as production assistant and editor, offers a compelling, behind-the-scenes narrartive of the creation of this luminary film.
FILM PB, 152 pp., illus. 1998, ISBN 0-87070-081-2
code: moma fil C-4
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OUT OF STOCK
Italian Film Posters
Italy produced the finest film posters in the world for much of the 20th Century. Blending wildly different influences of the Italian tradition from the silent era through the 1960s, these fascinating works are products of both a global, popular culture and intensely personal visions.
FILM HC, 152 pp., illus. 2003, ISBN 0-87070-692-6
code: moma ita
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OUT OF STOCK
Listen, Here, Now! Argentine Art in the 1960s
Argentina's avant-garde emerged in the '60s as one of the most vital and original art movements in the international arena. This book explores the significant developments of Argentine art, especially as it relates to contemporary conceptual art and the dematerialization of the art object..
INTERNATIONAL ART HISTORY PB, 367 pp., illus. 2004, ISBN 0-87070-366-8
code: moma lis
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OUT OF STOCK
Making Choices
Modern art is not one thing, but a great many. The title refers to the various progression of artistic styles in the 20th Century, which were the result of individual artists' decisions to react against the standard forms of their eras. "Making Choices' celebrates the spirit of change by focusing on four particular periods of social and political turmoil: 1929, 1939, 1948, and 1955.
ART HISTORY PB, 384 pp., illus 2000, ISBN 0-87070-029-4
code: moma mak
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OUT OF STOCK
Mies in Berlin
"Mies in Berlin" examines architect, Mies van der Roh's, early work in Europe in a historical and cultural context. A wealth of photographs and drawings, including many previously works, convey the dynamic, formative period in the life one of Architecture's towering figures.
ARCHITECTURE PB, 392 pp., illus. 2001, ISBN 0-87070-019-7
code: moma mie
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OUT OF STOCK
Positif: 50 Years
As a pre-eminent film magazine, Positif has been at the forefront in discerning new trends in cinema and has championed independent, idiosyncratic, and original cinema from France, America, and around the world. In honor of Positif's 60th anniversary, MoMA compiled a selection of articles from the last five decades, translated from French into English for the first time.
FILM HC, 288 pp., b&w illus. 2002, ISBN 0-87070-688-8
code: moma pos C-4
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OUT OF STOCK
Queens Set
The Queens Set contains three books (MoMA QNS, Tempo, To Be Looked At) slip-cased together in one volume: MoMA QNS To provide temporary quarters for MoMA while the it underwent a three-year long expansion project in Manhattan, an old stapler factory in Queens was transformed into a state-of-the-art exhibition space. This volume documents its creation with images of the drawings, plans, and the building itself.
ARCHITECTURE PB, 32 pp., illus. 2002, ISBN 0-87070-685-3 Tempo Most artists do not struggle to depict Time as they find innovative ways to use it. Often, we see time in its most common material form with clocks and watches incorporated into an artwork. There is also art where time is an element of technique: performance pieces, time-elapsed photography, and video all involve the passing of time as a part of the artistic process. With over 85 color plates of works in various media, this volume is a beautiful exploration of how artists both represent and use the concept of time.
CONTEMPORARY ART PB, 80 pp., illus. 2002, ISBN 0-87070-686-1 To Be Looked At A collection of MoMA's most iconic and best-loved works, this book brings together an inspired collection of 132 key works that span the history of art from the 1880s to the present.
ART HISTORY PB, 136 pp., illus. 2002, ISBN 0-87070-068-7
code: moma qms3
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OUT OF STOCK
Walker Evans & Company
Walker Evans's radical photography of the early 20th Century demonstrated that unembellished photographic fact could serve as a highly poetic language. These works expanded the potential of the medium and, at the same time, defined a lasting vernaculr iconography in literature, drama, and film that have become central images of America's mass-cultural identity.
PHOTOGRAPHY HC, 272 pp., illus. 2000, ISBN 0-87070-032-4
code: moma wal
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OUT OF STOCK
The Museum of Modern Art at Mid-Century: Continuity and Change: Studies in Modern Art
This wide-ranging survey of MoMA's activities and collections in the 50's underscores a period when the Modern tradition of the visual art was reassessed and resulted into a new understanding of art into categories of "Contemporary," "Modern," Classic." This volume also includes insight into the founding of the MoMA's film library and educational programing. ART HISTORY
PB, 256 pp., illus. 1995, ISBN 0-87070-128-2
code: moma muse
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OUT OF STOCK
Junction & Journey: Trains & Film
The essays in this catalogue explore the ways the railroad, cinema’s most fluid and protean metaphor, is not only called on to play its dramatic self in films the world over, but also made to represent so much more than its immediate self.
FILM 1991, 48 pp., illus. oftcover, ISBN 0-87070-196-7
code: moma jun B-1
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